The King of Staten Island
The King of Staten Island (2020)
By Emily Hubbard
Pete Davidson surprises in a gut-punching, funny ode to
grief
- 4/5 Cameras π₯π₯π₯π₯
- Directed by: Judd Apatow
- Starring: Pete Davidson, Marisa Tomei, and Bill Burr
- Where to find it: Sky Cinema/Now TV
Pete Davidson is known to many as Saturday Night Live’s
resident stoner, and probably known by equally as many as a certain ponytailed
popstar’s ex-fiancΓ©, but what many people, myself included, have glossed over,
is the amount of talent this 27-year-old man has, and the amount of trauma he’s
been through. Directed by Judd Apatow, the man behind modern comedy
classics such as The 40-Year-Old Virgin and Knocked Up, The King of Staten
Island is a semi-biographical take on Pete Davidsons’s life. The film follows
Scott Carlin (Pete Davidson), a weed-smoking aspiring tattoo artist who’s
forced to get his life together after his mother Margie (Marisa Tomei) begins dating
a man, Ray (Bill Burr), who, like his deceased father, is a New York
firefighter. For those of you who are unaware of Pete Davidson’s
childhood, his father was a firefighter who sadly lost his life in the 9/11
attacks on the World Trade Centre in 2001, when Davidson was 7. This loss is
shared with Davidson’s character Scott, whose father died when a roof collapsed
mid-fire. This film serves as a tribute to Davidson’s father, and New York
firefighters in many touching ways. If you’ve seen Pete Davidson’s stand-up
routines, however, you’ll be aware of the jokes he regularly makes about his
father and his grief, usually for the shock factor that they attract, and you’d
be forgiven for assuming that The King of Staten Island would have a similar tone.
Surprisingly, however, this film has an unexpected, yet welcome, emotional
weight to it, making it stand out from other films in Judd Apatow’s back
catalogue. Don’t get me wrong, The King of Staten Island is full of crude jokes
and innuendos, but instead of these jokes being played purely for laughs, here
many of them are used to show how people can use humour to deflect from their
grief. Davidson’s performance is a large factor in why The King of
Staten Island is so compelling. Not only is he a surprisingly good dramatic
actor, but the emotional undertones of many of his scenes as Scott leaves the
audience feeling like they’ve delved into Davidson’s psyche in ways only those closest
to him would. Aside from Davidson’s performance, Marisa Tomei (Margie) and Bill
Burr (Ray) add a great amount of depth to the film. Margie (Marisa Tomei) is an
exhausted nurse at the end of her tether with Scott’s (Pete Davidson) case of
arrested development, with her growing sense of exasperation throughout the
film leading to a touching scene between her and her son, where he finally admits
that he still misses his father, in one of the many scenes that not only pull
at the heartstrings but also make you feel like you’re sat in a therapy session
with Pete Davidson. Bill Burr (Ray) also shines, as The King of Staten Island
not only shows the growth of Scott (Pete Davidson) but also of his mother’s
boyfriend, going from someone who believes our protagonist has no hope of
succeeding in life, to someone who actively lets him practice his tattooing on
his back. Another notable appearance in The King of Staten Island is Steve Buscemi (Papa) as a firefighter who worked alongside Scott’s (Pete Davidson) father. Buscemi’s role in this film is particularly poignant as he used to be a firefighter himself and was one of the masses of volunteers who helped with the clean-up after the 9/11 attacks. This film isn’t perfect, not all of the jokes hit, but despite originally thinking that the 2 hour 16-minute runtime would be too long, I was relieved to find that it was actually the perfect length. Going into this film, I expected a standard comedy that
would provide a few good laughs. What I wasn’t expecting was an emotional, gut-punching,
and hilarious coming-of-age story. Perhaps most unexpected, however, was the
amount of time’s this film made me cry. The King of Staten Island truly is a
joy to watch. |
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