No Time to Die (2021)

No Time to Die

By Calum Whitfield

Daniel Craig signs off with a film that manages to overcome a weak villain and a by-the-book plot to be a fun ride for fans.
  • 3.5/5 Cameras 🎥🎥🎥.5
  • Directed by: Cary Joji Fukunaga
  • Written by: Neal Purvis, Robert Wade, Cary Joji Fukunaga, and Phoebe Waller-Bridge
  • Starring: Daniel Craig, Rami Malek, Lea Seydoux, Lashana Lynch et al. 
  • Where to find it: In Cinemas Now 
No Copyright Infringement Intended


James Bond has been a cinematic mainstay for almost 60 years. In that time he’s been portrayed by six people, most recently Daniel Craig who’s come back to see if he can send his time in the role off with a bang.

The film initially forgoes the traditional opening action set-piece that almost every other Bond film goes for, opening with an almost slasher movie-style scene, as a mysterious masked figure stalks a mother and child in the 1990s. This quickly opens up to a more traditional bond pre-credits sequence, picking up from shortly after the end of Spectre with an extended scene in which Daniel Craig’s Bond visits Vesper Lynd’s grave in Matera alongside Lea Seydoux’s Madeleine Swann. This predictably leads to an assassination attempt and an extended chase scene. Bond blames Madeleine, leading to them splitting, and Bond goes off to enjoy retirement alone. Five years later Felix Leiter visits with the offer of one last job, leading to Bond being plunged back into the world of spies meeting with a wide range of characters old and new.

Some of these characters are welcome additions. Lashana Lynch puts in a solid performance as Nomi, the new 007 in MI6, an agent who proves herself more than a match for Bond throughout the runtime. Elsewhere Ana de Amas almost steals the show with a fun, if brief, role as Paloma, an associate agent of Felix who teams up with Bond to infiltrate a SPECTRE party. Elsewhere Ben Whishaw, Ralph Fiennes, and Naomi Harris all return as Bond staples Q, M, and Moneypenny respectively, putting in fittingly fun performances, although Harris does feel underused. Jeffrey Wright as Felix Leiter is another welcome return, but I would argue the film tells us what great friends he and Bond are rather than showing us.

A feature of the Craig-era Bond films is that each follows on from the earlier ones. While this has some advantages in terms of telling a larger story, it does prevent the films from standing out effectively on their own. Throughout No Time to Die people talk about various characters or events from past films, relying on these for plot developments. While I’m sure many people enjoy this, I would argue it hinders the film’s ability to stand on its own as Bond films used to do.

Beyond these links to the past the film’s plot is fairly standard Bond fair; a chemical weapon (well, the film calls them nanobots, but I’d rather pretend otherwise) that kills based on specific DNA codes has been stolen with the CIA and MI6 both working to recover it before it can be used for nefarious purposes. Along the way are the expected double-crosses and twists. Rami Malek as Saffin is the culprit, a man with a cool look and an even cooler island hideout but muddled and unclear motivations and a lack of any particular interesting mannerisms or indeed a strong personality. I also find Lea Seydoux’s Madeleine Swann to be fairly uninteresting. Perhaps she’s just overshadowed by those around her, but I just don’t find her compelling in the same way I do for many of the other characters.

Fortunately, despite this relatively off the shelf plot, uninspired villain, and boring love interest, somehow No Time to Die manages to be thoroughly entertaining for the vast majority of its runtime perhaps through the sheer force of will of Daniel Craig, who manages to prove once again why he’s the best Bond we’ve had so far, or perhaps simply through its constant barrage of exciting action, and a series of fun interactions between its large, diverse and interesting cast of characters culminating in an emotional climax that’s pure classic Bond at its best. So sure, those not into Bond before aren’t likely to be won over; this is Bond by the books and not quite at its best; but it’s not trying to win new fans, it’s succeeding at giving an entertaining and emotionally satisfying romp for existing fans.

 

 


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