Malignant (2021)

Malignant

By Calum Whitfield

Not particularly scary and slow to get going, somehow Malignant still manages to be frighteningly good fun 

  • 3.5/5 Cameras 🎥🎥🎥.5
  • Directed by: James Wan
  • Starring: Annabelle Wallis, Maddie Hasson, George Young, and Michole Briana White 
  • Where to find it: Buy or Rent from Amazon Prime Video 

No Copyright Infringement Intended

This was one of my most anticipated films of 2021, but a series of unfortunate events meant I missed seeing it when it came out in cinemas. After waiting for it to be available on wide home release I finally got around to watching it, and all I can really say is I’m glad I got there in the end.

Malignant follows Maddison (Annabelle Wallis) who begins the film pregnant and stuck in an abusive relationship. Following a particularly nasty incident of abuse in which Maddison’s head is knocked heavily into a wall, she locks her partner out of their bedroom. Maddison dreams of a figure that brutally kills her husband and wakes to find his dead body before being attacked by the figure herself. From here the film takes the form of a fairly mundane crime film with notes of elaborate horror as Maddison and the police try to figure out what’s going on as Maddison continues to dream of murders as they happen before at a certain point flipping the script and becoming an utterly insane and outrageously entertaining horror B-movie.

The characters and performances in this film don’t particularly stand out. Sure, none of the cast are bad per se, but you’re not going to go searching for the rest of their work after seeing them in this, and the characters themselves are fairly barebones with only really Maddison getting any kind of development at all. But this isn’t a character study, it’s a silly horror-thriller with a plot that’s ridiculous enough to circle back to brilliant, at least once you get past the considerably less interesting first half. These early stages provide some important setup, but they move slowly and carry a tone that seems incongruous with where the film ends up. It’s not exactly bad, but it does feel fairly drab. The second half more than makes up for this though, so long as you’re willing to suspend your disbelief and open yourself to its outlandish ideas.

Director James Wan pulls in elements from throughout his career, with there being clear shades of Saw, Insidious, and even Aquaman on display during its run time. This makes for an entertaining mashup, taking the film away from the more classic horror ala The Conjuring that people may have expected seeing from the attached director. I get the distinct impression that Wan really enjoyed himself with this piece, having fun going down some more unexpected routes for him and subverting audience expectations. In a way, moments of the film almost feel like a parody, but it’s played just straight enough not to sap the film’s momentum.

Of course, this subversion can put off some long-time fans who went into Malignant looking for something genuinely scary, but for those with a more open mind, or with a love for similar subversive horrors such as Cabin in the Woods, or an appreciation of the insanity of the works of Dario Argento (clearly a strong influence on James Wan) there’s certainly plenty of silly, blood-soaked fun to be had with Malignant.

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